A delightfully classic French comedy of high sophistication and light hearted wit, that in the end suffers for it. This is immensely watchable simply for the presence of Maria De Medeiros, the central two of the film are captivating. What spoils it is the stereotypical and under developed second characters and an overly wistful outlook. But I defy any man watching this film not to fall madly for Aimee and everyone will cherish the scenes between Aimee and Maurice.

When she asks for a divorce, Elisa knows she's losing everything that made her daily life during ten years of marriage. The worst is that she may lose her children, claimed by her husband. She had only few months to rebuild. Find a job. Prove to the judge she can hold her family... A rebuilding that leads her to push her own limits, to put herself in danger, to learn how to trust people again and to discover a new herself... and, eventually, to fall in love again.

Vincent, a triumphant forty-something, is about to become a father for the first time. Invited to dinner at the home of Élisabeth and Pierre, his sister and brother-in-law, he reunites with Claude, a childhood friend. While awaiting the arrival of Anna, his eternally late wife, he is pressed with questions about his impending fatherhood, all in good humor... But when Vincent is asked if he has already chosen a name for his unborn child, his answer plunges the family into chaos.

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Des patients en psychiatrie décident de tourner deux scènes d’un long métrage qu’ils rêvent de faire et parlent de leur maladie, de leurs traitements… de leurs vies. Une équipe de professionnels les suit.

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Emma is bringing up her son Oscar alone. Her life is divided between her work, her voluntary work as a public writer, her lover and her son. Oscar gradually sinks into melancholy, his existential questions echoing those of his mother.

Star Film 540-541